Two stories

 

The bathroom trip that ruined everything

A while ago, I went to a dinner party at the house of a very wealthy executive in San Francisco. The food was great, but the house was absolutely, insanely beautiful. The living room has large, 20-foot-tall floor-to-ceiling windows that expose the entire San Francisco Bay. The kitchen has 3-inch-thick transparent blue glass countertops with slightly red-shifted LEDs embedded underneath to create a warm explosion of light. And the bathroom sinks are made of imported Itallian blown glass. The toilet paper is even custom made with the logo of the executive’s company embossed on each sheet. Just about everything in the house is remarkable.

But there’s one part of the experience that really dampened everything for me. As I was entering the bathroom, I grabbed the doorknob and it felt loose and hollow, like cheap crap. As I closed the door behind me, the click of the latching mechanism didn't feel... substantial enough. The door in this incredible house is complemented by flimsy, shitty hardware.

For a long time, I thought about how this amazing house could have such shitty doorknobs; it just didn’t make sense to me. After all, there’s only two things you ever really physically touch and interact with in a home on a regular basis: the doorknobs and the sink/toilet controls. It always seemed obvious to me that architects, home builders, and interior designers would focus on those things first, to make sure they feel solid, substantial, and at least match the quality of other aspects of the home. During the past few months, I’ve been asking some of them about this problem. And it has been a complete shock to me that most had not even realized it existed until I pointed it out.

I see this strange inconsistency of relative quality through experiences all the time, not only in homes and businesses, but also -- especially -- on the web.•

The $1000 receipt that cost $0.02

A few months ago, I went to a restaurant in New York City called MASA. It is supposedly one of the greatest Japanese restaurants in the world. The food there is delicately prepared. The atmosphere in the dining room is carefully designed to produce the perfect emotional experience. Even the air circulation system was built to push light amounts of air over specific tables. When you pay $500 for a meal, you expect perfection like this. But at the end of my experience, I was presented with something that, like the doorknobs in the executive’s home, totally sucked the awesomeness out of my meal. I was given a receipt that looks like the one below.

MASA receipt
Right:
A receipt from Masa Restaurant NYC
(this is not my actual receipt)


This particular behavior has always baffled me. When a customer leaves a business, there is generally only one physical thing they take with them as a reminder of the experience: the receipt. But most companies treat the receipt as a wasted expense -- and buy the shittiest and crappiest paper and ink possible -- instead of as a marketing expense. This is a huge mistake. The receipt is an opportunity to build brand recognition and customer attachment. It’s like a trojan horse advertisement to people who balance their checkbooks. For some reason, I have never seen a receipt treated as a marketing/branding opportunity. For example, imagine if you went to Starbucks and received the receipt below.

Below:
A mockup of a better Starbucks receipt

 
Starbucks receipt
If this receipt was printed on nice slightly-thicker paper with properly kerned fonts, You’d probably stop and look at it for a few seconds before you put it away. You might even keep it or share it with friends. It’s something remarkable. It’s something that says “hey, we value your purchase, so we’ll spend some time on your receipt.” Obviously, this exact design is impractical for lots of reasons, but some compromise between this and the crap they have now would be a great revenue-generating opportunity for many companies.

A hundred years ago, receipts were sometimes handwritten in calligraphy. The receipt was a work of art as well as proof of purchase. But somewhere in the transition from analog to digital, the art of the receipt was lost. •



You should follow me on twitter here.
 

My name is Dustin Curtis

I make user interfaces and experiences. I am days old. You should follow me on twitter here. You can learn more about me in my about article and on my less interesting blog.

This is my blogazine.

Say hi: hi@dustincurtis.com

Article #10

The Flimsy Doorknob & A Forgettable Receipt
  • Posted May 31st, 2009 2:13AM EST
  • Published from Brooklyn, NY
  • Comments Not applicable
  • Permalink /two_stories.html
  • Typography Bebas, Archer, Avenir